STORM AND STRESS (2-98)
Mr. Hugo Ball
Zit ser mi bit-uahh rama lama fa fa...
...what does a rock & roll telethon for Tourette's sound like? Well it
twitched into Sudsy's before a sparse week night audience and I, touched
deeply by the show of the "sympaticos," pledged all the pocket lint I could
muster.
This was a must see – a Touch & Go act derided by the local
underground press for crossing over some arbitrary line into aural abyss.
Abyss it was, but noise it wasn't. For anyone paying attention to
improvisational jazz for the last few decades, Storm and Stress represent the
rock counterpart to movements led by early pioneers Sun Ra, Ornette Coleman
and fresh diehards like Jack Wright.
This is NOT music for the weak of heart,
but rather, for those with ears for pure, free expression –
obscure...dissonant...unpredictable...EDGY as a dog in heat. This traditional
rock three-piece (drums, electric guitar, bass) puts out the most non-
traditional combinations of notes and spasmodic bursts of energy this side of
a steel-molding factory.
At one point, during a quiet moment, the drums were
played by ramming them into each other, and another time by throwing spare
change over them. the sympaticos hung on every tink and clack. If melody is
water to the dehydrated soul then Storm and Stress is pure desert
wasteland...no "hooks" here, unless you count the "thrill of the weird" as a
hook.
In fact, I thought that the whole performance was unscripted until a
friend (who owns a copy of their album) leaned to tell me that the show was
almost note for note what was on the recording. I was aghast...my night was
complete. Storm and Stress is, like free-jazz, deconstructionist by nature.
The underlying belief is that all musical choices are equally valid; that all
musical predispositions are arbitrary, learned, and must be challenged to stay
vital.
Technical development is optional, perhaps even detrimental in that it
predisposes our judgment as to what is "musical." Even their song titles ring
of kitsch manifesto; "We Write Threnodies", "We Write With Explosions", "Today
Is Totally Crashing", "Til Records Skips Like Passengers Shift On" and
"Guitar Cabinet Stack Way High Is Freedom." Does it hit? I'd say yes, in the
way torment hits or dementia strikes...insanity is, after all, just an
alternate outlook on life.
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